Correct rendering of Sajdah marks, Ruku symbols, and Ayah end-markers.
For centuries, the Holy Quran was transcribed exclusively by master calligraphers (Khattats). Printing copies required a painstaking process of manual writing on special paper, which was then lithographed or photo-etched onto metal plates. A single mistake meant scrapping an entire page. The InPage Revolution (1994–Present)
: Built on the InPage Urdu Professional engine, it allows users to customize page sizes, column counts, and font sizes while maintaining consistent alignment.
For Nastaliq specifically, automatic kerning removes extra interword space to create a calligrapher-style outlook. This is particularly important for Quranic text, where tight, elegant spacing enhances readability and visual reverence.
: It allows for the intermixing of Quranic fonts with Nastaliq (e.g., Noori Nastaliq ) for side-by-side translations ( ) and commentaries ( Digital and Print Ready
Publishers can adjust the number of lines per page (such as the widely used 13-line format popularized by Taj Company), choose appropriate font sizes for different reading needs, and maintain consistency across thousands of pages.
Accurate placement of Arabic diacritics (tashkeel)—including fatha, kasra, damma, sukun, shadda, and madd—is perhaps the most critical feature for Quranic publishing. Incorrect diacritic placement can change the meaning of verses entirely. Advanced fonts like Tauheed Nastaliq support comprehensive Arabic diacritic placement, ensuring that every diacritic appears precisely where it belongs.
Historically, composing the Holy Quran manually in the South Asian subcontinent was an exceptionally difficult task. The complex placement of diacritics ( Aerab ), stretched words ( Kashida ), and strict orthographic rules made manual calligraphy the only reliable method for centuries.
Correct rendering of Sajdah marks, Ruku symbols, and Ayah end-markers.
For centuries, the Holy Quran was transcribed exclusively by master calligraphers (Khattats). Printing copies required a painstaking process of manual writing on special paper, which was then lithographed or photo-etched onto metal plates. A single mistake meant scrapping an entire page. The InPage Revolution (1994–Present)
: Built on the InPage Urdu Professional engine, it allows users to customize page sizes, column counts, and font sizes while maintaining consistent alignment. inpage quran publisher font
For Nastaliq specifically, automatic kerning removes extra interword space to create a calligrapher-style outlook. This is particularly important for Quranic text, where tight, elegant spacing enhances readability and visual reverence.
: It allows for the intermixing of Quranic fonts with Nastaliq (e.g., Noori Nastaliq ) for side-by-side translations ( ) and commentaries ( Digital and Print Ready Correct rendering of Sajdah marks, Ruku symbols, and
Publishers can adjust the number of lines per page (such as the widely used 13-line format popularized by Taj Company), choose appropriate font sizes for different reading needs, and maintain consistency across thousands of pages.
Accurate placement of Arabic diacritics (tashkeel)—including fatha, kasra, damma, sukun, shadda, and madd—is perhaps the most critical feature for Quranic publishing. Incorrect diacritic placement can change the meaning of verses entirely. Advanced fonts like Tauheed Nastaliq support comprehensive Arabic diacritic placement, ensuring that every diacritic appears precisely where it belongs. A single mistake meant scrapping an entire page
Historically, composing the Holy Quran manually in the South Asian subcontinent was an exceptionally difficult task. The complex placement of diacritics ( Aerab ), stretched words ( Kashida ), and strict orthographic rules made manual calligraphy the only reliable method for centuries.
