To understand its value, compare it to other editions:
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats. ProStudioMasters
October 26, 2023 | Category: Audio Reviews, Audiophile Analysis
The seemingly simple search term "Michael Jackson - Got To Be There -2013- -FLAC" is a journey through music history. It begins in a 1971 recording studio, traces the achievement of a Gold record in 2013, and ends with the 24-bit digital files that preserve every heartfelt note for today's listeners. It is a powerful testament to how great music not only endures but evolves, finding new life and new audiences through different formats and milestones across the decades. Michael Jackson - Got To Be There -2013- -FLAC ...
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Rowan listened again. He slowed the rig, pulled at frequencies like threads, and realized the file contained layers: the main take, a backing vocal that came in only on the bridge, and beneath both, conversations. Laughter. Footsteps. The scrape of a chair. A woman humming an off-key counterpoint during the fadeout. A child’s distant coughing. It was less an artifact than a time machine.
The 2013 remaster maintains the original 10-track sequence, totaling approximately 35 minutes of music: (4:11) I Wanna Be Where You Are (3:00) Girl Don't Take Your Love From Me (3:47) In Our Small Way (3:38) Got To Be There (3:23) Rockin' Robin (2:31) Wings Of My Love (3:21) Maria (You Were The Only One) (3:41) Love Is Here And Now You're Gone (2:51) You've Got A Friend (4:53) Key Features of the 2013 FLAC Release To understand its value, compare it to other
A high-energy cover that proved he could command uptempo tracks.
Released by Motown on January 24, 1972, Got To Be There proved that Michael Jackson was more than just a talented frontman for a group—he was a "Prince of Soul" in his own right. The album was produced by Motown’s "A-team," including , Hal Davis , and Willie Hutch , who crafted a sound that balanced the infectious energy of the Jackson 5 with a newfound emotional maturity. Key highlights of the original 10-track release include:
The year 2013 marked a significant, albeit quiet, milestone for collectors and audiophiles dedicated to the King of Pop. While the world continued to celebrate the immense legacy of Michael Jackson years after his 2009 passing, specialized audio platforms began re-releasing his Motown catalog in high-definition digital formats. Among these, the releases stand out as a pristine digital preservation of his debut solo album. It is a powerful testament to how great
The album features 10 tracks that showcase a mix of original soul ballads and covers of contemporary hits.
Альбом «Got to Be There (2013 Remaster)» — Michael Jackson
If you are looking for physical copies, you can explore the 2013 reissue details on Discogs to check for specific matrix runouts. To explore this album further,the .
The 2013 re-release of "Got to Be There" in FLAC (Free Lossless Audio Codec) format offers a significant upgrade in sound quality compared to previous releases. FLAC is an audio format that stores music without any loss of quality, ensuring that listeners can enjoy their favorite albums with precise, accurate sound.
The 2013 FLAC highlights the purity of teenage Michael's voice—often described as having a youthful fragility paired with a natural mastery of phrasing and dynamics. Without the compression of inferior formats, the emotional nuances of his performance are brought to the forefront. 3. Audiophile Accessibility