The audio component of this version is just as important as the picture. The acronym (Digital Theater Systems) refers to the now-legendary digital audio format that first burst onto the scene with the release of Jurassic Park in 1993. It was a revolutionary system that stored the film's six discrete channels of high-quality digital audio on CD-ROMs, synced to a timecode printed on the 35mm film.
Director of Photography Dean Cundey shot the film on Super 35mm film stock, which typically captures a fuller image area than the final 1.85:1 theatrical crop.
DTS (DTS Surround Audio) is a audio encoding technology designed to provide a more immersive audio experience for viewers. When paired with the 35mm 1080p version of Jurassic Park, the cinema DTS soundtrack elevates the film's sonic landscape, enveloping audiences in the roars of the dinosaurs, the rustling of leaves, and the awe-inspiring score composed by John Williams. This combination of high-definition visuals and surround sound aims to recreate the cinematic experience, making viewers feel as though they are part of the adventure on Isla Nublar. The audio component of this version is just
, specifically celebrated for being "Open Matte"—meaning it reveals parts of the film frame usually cropped out for theatres
The famous “bass drop” when the Rex’s foot hits the ground is not just a thud—it’s a multi-directional shockwave. The Cinema DTS track has a “punch” that modern 5.1 remixes soften. You’ll hear the rain hitting the car roof with distinct placement, and the Rex’s roar has a harmonic distortion that sounds like a biological organ, not a digital effect. Director of Photography Dean Cundey shot the film
A release print is a few generations removed from the negative. It has the original color timing baked in. This is the actual film that was shipped to theaters and projected onto the big screen. By scanning a well-preserved theatrical print, the restorers have captured the unique characteristics of a 1993 cinema screening—the way the light hit the film stock, the specific hues of the dinosaurs, and the subtle warmth of the tropical setting. This approach bypasses the modern, often revisionist, digital color grading processes, aiming to preserve the film's cultural and aesthetic legacy.
project represents a holy grail of "unfiltered" filmmaking. This unique version, often dubbed "Superwide" or "v1.0," provides a raw look at Steven Spielberg’s masterpiece before the polish of modern digital color grading and standard theatrical cropping took over. What is the "Superwide Open Matte" Version? the height of the electric fences
Perhaps the most surprising element for a viewer is the aspect ratio. The official Blu-ray and 4K releases present the film in a widescreen 1.85:1 aspect ratio. However, many theatrical prints of Jurassic Park were shot in an format.
You see more of the dense jungle surroundings, the height of the electric fences, and the sprawling nature of the raptor kitchen set. 2. The Texture of 35mm Film Grain