Since their formation in 2014, the New Orleans duo $UICIDEBOY$—comprising cousins Ruby da Cherry and $crim—has built a staggering body of work that has solidified their place as one of the most influential acts in underground and mainstream hip-hop. Initially rising to prominence on the music sharing platform SoundCloud, the duo is known for their abrasive, self-produced beats, as well as their harsh lyrical content and themes prominently featuring substance abuse and suicidal ideation. Through their own label, G*59 Records, they have released a vast and prolific discography that includes numerous EPs, mixtapes, and now, several critically and commercially successful studio albums.
Don’t let the title fool you. This is their most pop-adjacent record (relative to them). Managed to debut at #8 on the Billboard 200 without radio play. Tracks like “…And to Those I Love, Thanks for Sticking Around” serve as a soft outro to their “dark era.” It’s an album about the numbness of sobriety—which is somehow heavier than the chaos. Suicideboys Discography
Grim, apocalyptic atmosphere, old-school Memphis homage, refined flows "The Thin Grey Line", "Burgundy" I Want to Die in New Orleans (2018) Since their formation in 2014, the New Orleans
In an era where streaming algorithms favor polished hooks and radio-friendly lengths, $uicideboy$ built a pyramid of filth, faith, and fury from the gutters of New Orleans’ 7th Ward. Since 2014, the cousins have released a staggering volume of work—over 60 projects—without ever signing to a major label. What emerges from the noise is not just a discography, but a Don’t let the title fool you
Produced entirely by EDM-trap icon Getter, this EP bridged the gap between underground rap and festival mosh pits, anchored by the iconic track "Memoirs of a Gorilla." 2. Collaborative Milestones: Splitting the Spotlight uicideboyu i c i d e b o y