| Claim | True? | Evidence | |-------|-------|----------| | Wrote all lyrics on Blizzard of Ozz except “Crazy Train” | ✅ Yes | UK High Court 2004 ruling | | Wrote “Suicide Solution” lyrics | ✅ Yes | Daisley’s original lyric sheets | | Invented the bass intro to “Crazy Train” | ✅ Yes | Studio outtakes + engineer Max Norman | | Played bass on Diary of a Madman but erased | ✅ Yes | Restored 2011 | | Co-wrote “Mr. Crowley” music | ⚠️ Partial | Rhoads wrote main riff; Daisley arranged structure/lyrics | | Was Black Sabbath’s bassist in 1980 | ❌ No | Rehearsed with them, but no recording |
Written by a musician who worked directly with icons like Ritchie Blackmore, Randy Rhoads, and Tony Iommi.
In a particularly vindictive move that Daisley recounts in "For Facts Sake," Ozzy's camp, in an attempt to scrub the original lineup from history, had the original bass and drum tracks on reissues of Blizzard of Ozz and Diary of a Madman re-recorded by other musicians (Robert Trujillo and Mike Bordin). bob daisley for facts sake pdf 1 new
In 2002, the rhythm tracks recorded by Daisley and Kerslake on Blizzard of Ozz and Diary of a Madman were re-recorded by Robert Trujillo and Mike Bordin. Daisley’s book meticulously documents the emotional and financial fallout of this decision, which management claimed was due to royalty disputes. The original tracks were later restored for the 30th-anniversary editions, but the scars remained. Meticulous Record-Keeping
He proves that despite the injustices of the corporate music world, the music itself remains untainted. When you hear the opening bass riff of "Crazy Train" or the delicate fretless work on "Mama, I'm Coming Home," you are hearing the soul of Bob Daisley. For anyone wanting to truly understand the mechanics of classic rock history, putting down the myths and picking up Daisley's factual account is an absolute necessity. | Claim | True
It shows a side of the rock scene that includes tea with Bon Scott and intimate moments with legends, focusing on the people, not just the persona.
Published in August 2013, "For Facts Sake" is a substantial work in every sense . Physically, it's a large-format, high-quality hardcover, measuring 11.5" x 7.75" (290 x 200 mm), over an inch thick, and weighing nearly two and a half pounds—a true "coffee table" book for the discerning rock fan. In a particularly vindictive move that Daisley recounts
Bob Daisley's autobiography, "For Facts Sake," has been updated for 2025 with a new 4th edition featuring 40,000 words of expanded content, officially available in hardback and audiobook formats. The book is not officially available in a digital PDF format, though it is readily accessible via the Official Bob Daisley Shop.
To reiterate, it is highly unlikely that a legitimate PDF version exists. The keyword "pdf 1 new" in your query may represent a user's search for a specific file, but as this book was primarily a physical release, any PDF is likely a scanned copy that may be incomplete. The safest and most respectful course of action is to support Bob Daisley by purchasing a legitimate copy.
For a long time, the book was out of print, driving the prices of used copies on secondary markets up over $130. Fortunately, the book has seen a resurgence in availability through official channels and select retailers, making it accessible once again at a reasonable price point. While looking for a digital preview can be a quick way to sample the text, securing a physical copy ensures you fully experience the visual journey Daisley intended. Final Verdict: A Masterclass in Artistic Fortitude